Interests: Making, Digital Fabrication, Values, Equity, Feminism, Creativity, Education, Critical Thinking, Play, Sustainability
I am a postdoctoral fellow at the University of Michigan in Ann Arbor, where I am developing curricular updates for Computer Science education to integrate ethics and justice learning goals with the technical content. I also work on the Technology Assessment Project at the Ford School of Public Policy, where we are using an analogic case study methodology to understand the implications of emerging technologies by drawing parallels to implications of technology of the past.
I completed my PhD at UNCC in Computing and Information Systems with a research area of HCI. My dissertation research considered the growing impact of the Maker phenomenon on society and asks what values or practices we should be embedding into Makerspaces to ensure a humane future. This involves using AI to look at trends in the corpus of stuff created by makers and using techniques from HCI to design local interventions that prompt new practices and mindsets. Much of my research work has been driven by the needs, goals, and alongside the people of the local maker community, followed up with a reflective and critical research lens.
My general goals in research and other endeavors involve looking holistically and critically at how technology intersects with various aspects of humanity. As technologists, what kind of world are we creating? What kind of world do we want to create? What decisions are we making without realizing it? What values govern those decisions and what sort of prompts for reflection could draw attention to critical moments and lead us to uncover new possibilities?
While Computer Science education typically leaves students with a well-developed understanding of how to program and how computers work, it often falls short in preparing them for how to reason about the social implications of various computing endeavors. In this project, I draw on literature from Science and Technology Studies and the social sciences to develop curricular updates to early level CS courses. My approach is to identify places where technical concepts are presented as purely technical in CS concepts and augment those lessons with examples that illustrate how these technical ideas are entangled with issues of power or complex social dynamics with the goal of bringing critical thinking into even the lowest level details of the technical practice.
Driven by an ethnographic account of the lack of guidance for makerspace leaders and a desire to address some of the well-known critiques of the making phenomenon as technosolutionist, this research project asks what should be happening in the making world? As makerspace leaders ourselves, what should we be fostering or cultivating? If we extend HCI's commitment to making as a site of democratization and participation in technological production, how do we ensure that the output of the making phenomenon is humane? Through a series of empirical studies, I investigate the nature of mindsets and practices that live in the maker world but resemble in some way sensitivities of the HCI world. These studies, combined with a theoretical investigation of the values in making and HCI, are contributing to our developing normative theory of making. The theory will provide much needed guidance for future researchers, leaders, and makers to generate versions of making that mitigate the critiques and fulfill the promises of democratization and participation.
Our Makerspace is in the College of Computing and Informatics and focuses on digital fabrication. We serve the UNCC community from all departments and strive to foster community and enable all sorts of personal, research, or class projects. My work with the space has been as student supervisor, working closely with Dr. Wilson to manage the student staff, oversee daily operations, and nuture the community. I see the potential in spaces like ours to not only serve needs that arise, but also to seek opportunities and synergies, driving the development forward.
Statement Making is a digital fabrication fashion, co-directed by Madison Dunaway and myself and co-sponsored by the College of Computing and Informatics and College of Arts and Architecture. As Makerspace and Fab Lab leaders, Madison and I created the event to break free from departmental silos and traditional academics, aiming to create pathways into digital fabrication and for interdisciplinary collaboration. Running this event for 3 consecutive years has been a remarkable window into the creative energy of the student body and a glimpse of what sort of dynamic bold energetic voice indivudals and communities might have through digitial fabrication under the right circumstances.
Laser cut textiles and Kombucha fabric
Cubes with embedded electronics made from wood, cardboard, acrylic, grass, and string
Statement Making designs made from interlocking laser cut paper pieces. Madison Dunaway + co created the piece on the left